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ISRC

NLA509411604

Piano Concerto no. 4 in G, op. 58: I. Allegro moderato

Song: Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato

Mitsuko UchidaKoninklijk ConcertgebouworkestKurt Sanderling
unmatchedNot yet matched in the MLC database
Released 2005-01-01

Last verified:

NLA509411604 is the International Standard Recording Code (ISRC) for the recording "Piano Concerto no. 4 in G, op. 58: I. Allegro moderato" by Mitsuko Uchida, Koninklijk Concertgebouworkest, Kurt Sanderling, released 2005-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
94Year (1994)
11604Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1994):
Last two digits of the reference year (1994). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Piano Concerto no. 4 in G, op. 58: I. Allegro moderato" by Mitsuko Uchida?
The ISRC for "Piano Concerto no. 4 in G, op. 58: I. Allegro moderato" by Mitsuko Uchida, Koninklijk Concertgebouworkest, Kurt Sanderling is NLA509411604.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA509411604?

NLA509411604 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Piano Concerto no. 4 in G, op. 58: I. Allegro moderato" by Mitsuko Uchida, Koninklijk Concertgebouworkest, Kurt Sanderling. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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