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Mikrokosmos, BB 105 (Sz. 107), Book I: 16. Parallele bewegung mit positionsänderung album cover

ISRC

NLA509502616

Mikrokosmos, BB 105 (Sz. 107), Book I: 16. Parallele bewegung mit positionsänderung

Song: Mikrokosmos, Sz. 107, BB 105: Volume I, No. 16: Parallel Motion with Change of Position

Zoltán Kocsis
Released 1999-01-01

Last verified:

NLA509502616 is the International Standard Recording Code (ISRC) for the recording "Mikrokosmos, BB 105 (Sz. 107), Book I: 16. Parallele bewegung mit positionsänderung" by Zoltán Kocsis, released 1999-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
95Year (1995)
02616Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Mikrokosmos, BB 105 (Sz. 107), Book I: 16. Parallele bewegung mit positionsänderung" by Zoltán Kocsis?
The ISRC for "Mikrokosmos, BB 105 (Sz. 107), Book I: 16. Parallele bewegung mit positionsänderung" by Zoltán Kocsis is NLA509502616.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA509502616?

NLA509502616 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mikrokosmos, BB 105 (Sz. 107), Book I: 16. Parallele bewegung mit positionsänderung" by Zoltán Kocsis. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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