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ISRC

NLA509712768

Matthäus-Passion BWV 244: LXVIII. Wir setzen uns mit Tränen nieder

Song: Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"

Tokyo Opera SingersSaito Kinen OrchestraSeiji Osawa
Released 2011-01-21

Last verified:

NLA509712768 is the International Standard Recording Code (ISRC) for the recording "Matthäus-Passion BWV 244: LXVIII. Wir setzen uns mit Tränen nieder" by Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Osawa, released 2011-01-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
97Year (1997)
12768Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Matthäus-Passion BWV 244: LXVIII. Wir setzen uns mit Tränen nieder" by Tokyo Opera Singers?
The ISRC for "Matthäus-Passion BWV 244: LXVIII. Wir setzen uns mit Tränen nieder" by Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Osawa is NLA509712768.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA509712768?

NLA509712768 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Matthäus-Passion BWV 244: LXVIII. Wir setzen uns mit Tränen nieder" by Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Osawa. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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