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ISRC

NLB151400174

Herminie: Scène lyrique: Air. « Venez, venez, terribles armes! »

Song: Herminie, H. 29: Nº3. Arie "Venez, venez, terribles armes!". Allegro impetuoso vivace

Lisa LarssonHet Gelders OrkestAntonello Manacorda
Released 2014-05-08

Last verified:

NLB151400174 is the International Standard Recording Code (ISRC) for the recording "Herminie: Scène lyrique: Air. « Venez, venez, terribles armes! »" by Lisa Larsson, Het Gelders Orkest, Antonello Manacorda, released 2014-05-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
B15Registrant
14Year (2014)
00174Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Herminie: Scène lyrique: Air. « Venez, venez, terribles armes! »" by Lisa Larsson?
The ISRC for "Herminie: Scène lyrique: Air. « Venez, venez, terribles armes! »" by Lisa Larsson, Het Gelders Orkest, Antonello Manacorda is NLB151400174.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLB151400174?

NLB151400174 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Herminie: Scène lyrique: Air. « Venez, venez, terribles armes! »" by Lisa Larsson, Het Gelders Orkest, Antonello Manacorda. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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