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Can’t Hold Back the Rain (The Madison remix) album cover

ISRC

NLC731200099

Can’t Hold Back the Rain (The Madison remix)2

Song: CAN'T HOLD BACK THE RAIN

Ana Criado
matched
Released 2013-01-14

Last verified:

NLC731200099 is the International Standard Recording Code (ISRC) for the recording "Can’t Hold Back the Rain (The Madison remix)" by Ana Criado, released 2013-01-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ADRIAN J BROEKHUYSE, RAZ NITZAN.

Format

NLCountry
C73Registrant
12Year (2012)
00099Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCan’t Hold Back the Rain (The Madison remix)
IPIADRIAN J BROEKHUYSE

People also ask

What is the ISRC for "Can’t Hold Back the Rain (The Madison remix)" by Ana Criado?
The ISRC for "Can’t Hold Back the Rain (The Madison remix)" by Ana Criado is NLC731200099.
Who wrote "Can’t Hold Back the Rain (The Madison remix)"?
"Can’t Hold Back the Rain (The Madison remix)" was written by ADRIAN J BROEKHUYSE, RAZ NITZAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLC731200099?

NLC731200099 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Can’t Hold Back the Rain (The Madison remix)" by Ana Criado. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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