There Is Light (A.R.D.I. Remix) album cover

ISRC

NLD681802546

There Is Light (A.R.D.I. Remix)

Song: THERE IS LIGHT

Andy MoorSomnaDiana LeahA.R.D.I.
unmatchedNot yet matched in the MLC database
Released 2018-09-14

Last verified:

NLD681802546 is the International Standard Recording Code (ISRC) for the recording “There Is Light (A.R.D.I. Remix) by Andy Moor, Somna, Diana Leah, A.R.D.I., released 2018-09-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DIANA ORGA, ANDREW BEARDMORE, BENJAMIN LEUNG.

Format

NLCountry
D68Registrant
18Year (2018)
02546Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCThere Is Light (A.R.D.I. Remix)

People also ask

What is the ISRC for "There Is Light (A.R.D.I. Remix)" by Andy Moor?
The ISRC for "There Is Light (A.R.D.I. Remix)" by Andy Moor, Somna, Diana Leah, A.R.D.I. is NLD681802546.
Who wrote "There Is Light (A.R.D.I. Remix)"?
"There Is Light (A.R.D.I. Remix)" was written by DIANA ORGA, ANDREW BEARDMORE, BENJAMIN LEUNG.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLD681802546?

NLD681802546 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “There Is Light (A.R.D.I. Remix) by Andy Moor, Somna, Diana Leah, A.R.D.I.. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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