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Pelleas und Melisande, op. 5, Part II: Episode I, Sehr langsam album cover

ISRC

NLE421805523

Pelleas und Melisande, op. 5, Part II: Episode I, Sehr langsam

Song: Pelleas und Melisande, op. 5: IV. Sehr rasch

Orchestre de la Suisse RomandeJonathan Nott
Released 2021-11-12

Last verified:

NLE421805523 is the International Standard Recording Code (ISRC) for the recording “Pelleas und Melisande, op. 5, Part II: Episode I, Sehr langsam” by Orchestre de la Suisse Romande, Jonathan Nott, released 2021-11-12. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
E42Registrant
18Year (2018)
05523Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Pelleas und Melisande, op. 5, Part II: Episode I, Sehr langsam" by Orchestre de la Suisse Romande?
The ISRC for "Pelleas und Melisande, op. 5, Part II: Episode I, Sehr langsam" by Orchestre de la Suisse Romande, Jonathan Nott is NLE421805523.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLE421805523?

NLE421805523 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Pelleas und Melisande, op. 5, Part II: Episode I, Sehr langsam” by Orchestre de la Suisse Romande, Jonathan Nott. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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