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Játékok, Book II: No. 4. Hommage à Vidovszky (Phone numbers of our loved ones 2) album cover

ISRC

NLE422203008

Játékok, Book II: No. 4. Hommage à Vidovszky (Phone numbers of our loved ones 2)

Song: Játékok II: 4. Hommage à Vidovszky (Phone numbers of our loved ones 2)

Pierre-Laurent Aimard
Released 2025-04-18

Last verified:

NLE422203008 is the International Standard Recording Code (ISRC) for the recording "Játékok, Book II: No. 4. Hommage à Vidovszky (Phone numbers of our loved ones 2)" by Pierre-Laurent Aimard, released 2025-04-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
E42Registrant
22Year (2022)
03008Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Játékok, Book II: No. 4. Hommage à Vidovszky (Phone numbers of our loved ones 2)" by Pierre-Laurent Aimard?
The ISRC for "Játékok, Book II: No. 4. Hommage à Vidovszky (Phone numbers of our loved ones 2)" by Pierre-Laurent Aimard is NLE422203008.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLE422203008?

NLE422203008 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Játékok, Book II: No. 4. Hommage à Vidovszky (Phone numbers of our loved ones 2)" by Pierre-Laurent Aimard. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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