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ISRC

NLE422306602

Psalmi Davidis poenitentiales, Primus Psalmus Poenitentialis, LV 794: Convertere Domine

Song: Psalmi Davidis pœnitentiales: Psalmus primus "Domine, ne in furore tuo arguas me"

Cappella AmsterdamDaniel Reuss
Released 2025-02-07

Last verified:

NLE422306602 is the International Standard Recording Code (ISRC) for the recording "Psalmi Davidis poenitentiales, Primus Psalmus Poenitentialis, LV 794: Convertere Domine" by Cappella Amsterdam, Daniel Reuss, released 2025-02-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
E42Registrant
23Year (2023)
06602Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Psalmi Davidis poenitentiales, Primus Psalmus Poenitentialis, LV 794: Convertere Domine" by Cappella Amsterdam?
The ISRC for "Psalmi Davidis poenitentiales, Primus Psalmus Poenitentialis, LV 794: Convertere Domine" by Cappella Amsterdam, Daniel Reuss is NLE422306602.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLE422306602?

NLE422306602 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Psalmi Davidis poenitentiales, Primus Psalmus Poenitentialis, LV 794: Convertere Domine" by Cappella Amsterdam, Daniel Reuss. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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