Till Ya Drop! (Rene Amesz remix) album cover

ISRC

NLF710800453

Till Ya Drop! (Rene Amesz remix)2

Song: TILL YA DROP

DJ RemyRoland Klinkenberg
matched
Released 2008-09-15

Last verified:

NLF710800453 is the International Standard Recording Code (ISRC) for the recording “Till Ya Drop! (Rene Amesz remix) by DJ Remy, Roland Klinkenberg, released 2008-09-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by REMY UNGER, ROLAND KLINKENBERG.

Format

NLCountry
F71Registrant
08Year (2008)
00453Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

REMY UNGERComposer
ROLAND KLINKENBERGComposer

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Till Ya Drop! (Rene Amesz remix)" by DJ Remy?
The ISRC for "Till Ya Drop! (Rene Amesz remix)" by DJ Remy, Roland Klinkenberg is NLF710800453.
Who wrote "Till Ya Drop! (Rene Amesz remix)"?
"Till Ya Drop! (Rene Amesz remix)" was written by REMY UNGER, ROLAND KLINKENBERG.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLF710800453?

NLF710800453 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Till Ya Drop! (Rene Amesz remix) by DJ Remy, Roland Klinkenberg. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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