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Trapeze (Daniel Kandi's Emotional radio edit) album cover

ISRC

NLF711000249

Trapeze (Daniel Kandi's Emotional radio edit)

Song: TRAPEZE

Ferry TayleStatic Blue
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Last verified:

NLF711000249 is the International Standard Recording Code (ISRC) for the recording "Trapeze (Daniel Kandi's Emotional radio edit)" by Ferry Tayle, Static Blue. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JONATHAN DAVID BLAKOE, LUDOVIC MEYER.

Format

NLCountry
F71Registrant
10Year (2010)
00249Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTrapeze (Daniel Kandi's Emotional radio edit)
IPIJONATHAN DAVID BLAKOE

People also ask

What is the ISRC for "Trapeze (Daniel Kandi's Emotional radio edit)" by Ferry Tayle?
The ISRC for "Trapeze (Daniel Kandi's Emotional radio edit)" by Ferry Tayle, Static Blue is NLF711000249.
Who wrote "Trapeze (Daniel Kandi's Emotional radio edit)"?
"Trapeze (Daniel Kandi's Emotional radio edit)" was written by JONATHAN DAVID BLAKOE, LUDOVIC MEYER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLF711000249?

NLF711000249 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Trapeze (Daniel Kandi's Emotional radio edit)" by Ferry Tayle, Static Blue. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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