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ISRC

NLF711201182

Universal Language (radio edit)

Song: UNIVERSAL LANGUAGE

Mike FoyleReFeel
unmatchedNot yet matched in the MLC database
Released 2013-11-01

Last verified:

NLF711201182 is the International Standard Recording Code (ISRC) for the recording "Universal Language (radio edit)" by Mike Foyle, ReFeel, released 2013-11-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
F71Registrant
12Year (2012)
01182Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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People also ask

What is the ISRC for "Universal Language (radio edit)" by Mike Foyle?
The ISRC for "Universal Language (radio edit)" by Mike Foyle, ReFeel is NLF711201182.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLF711201182?

NLF711201182 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Universal Language (radio edit)" by Mike Foyle, ReFeel. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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