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THE LONGEST ROAD ON EARTH (FEAT. LISSIE) album cover

ISRC

NLF711906518

THE LONGEST ROAD ON EARTH (FEAT. LISSIE)

Song: LONGEST ROAD ON EARTH

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NLF711906518 is the International Standard Recording Code (ISRC) for the recording “THE LONGEST ROAD ON EARTH (FEAT. LISSIE)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HITEN BHARADIA, MORGAN WOLF PAGE, MICHAEL ANTHONY WOODS, and others.

Format

NLCountry
F71Registrant
19Year (2019)
06518Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

MORGAN WOLF PAGEIPIMICHAEL ANTHONY WOODSIPIELISABETH MAURUSIPINATHAN VINCENT DUVALLIPI

People also ask

What is the ISRC for "THE LONGEST ROAD ON EARTH (FEAT. LISSIE)"?
The ISRC for "THE LONGEST ROAD ON EARTH (FEAT. LISSIE)" is NLF711906518.
Who wrote "THE LONGEST ROAD ON EARTH (FEAT. LISSIE)"?
"THE LONGEST ROAD ON EARTH (FEAT. LISSIE)" was written by HITEN BHARADIA, MORGAN WOLF PAGE, MICHAEL ANTHONY WOODS, ELISABETH MAURUS, PHILIPPE-MARC ANQUETIL, NATHAN VINCENT DUVALL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLF711906518?

NLF711906518 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “THE LONGEST ROAD ON EARTH (FEAT. LISSIE)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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