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WAIT FOR ME (FEAT. TORY LANEZ) album cover

ISRC

NLF712007497

WAIT FOR ME (FEAT. TORY LANEZ)

Song: WAIT FOR ME

GOODY GRACE TAKIS
matched
Released 2020-12-04

Last verified:

NLF712007497 is the International Standard Recording Code (ISRC) for the recording "WAIT FOR ME (FEAT. TORY LANEZ)" by GOODY GRACE TAKIS, released 2020-12-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DAYSTAR PETERSON, NICHOLAS HENRIQUES, MILAN D'AGOSTINI, and others.

Format

NLCountry
F71Registrant
20Year (2020)
07497Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWAIT FOR ME (FEAT. TORY LANEZ)
IPIDAYSTAR PETERSON

People also ask

What is the ISRC for "WAIT FOR ME (FEAT. TORY LANEZ)" by GOODY GRACE TAKIS?
The ISRC for "WAIT FOR ME (FEAT. TORY LANEZ)" by GOODY GRACE TAKIS is NLF712007497.
Who wrote "WAIT FOR ME (FEAT. TORY LANEZ)"?
"WAIT FOR ME (FEAT. TORY LANEZ)" was written by DAYSTAR PETERSON, NICHOLAS HENRIQUES, MILAN D'AGOSTINI, GOODY GRACE, PETER KYLE TAKIS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLF712007497?

NLF712007497 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "WAIT FOR ME (FEAT. TORY LANEZ)" by GOODY GRACE TAKIS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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