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CLOSER (FEAT. ZAGATA) [CHUKIESS & WHACKBOI REMIX] album cover

ISRC

NLF712201579

CLOSER (FEAT. ZAGATA) [CHUKIESS & WHACKBOI REMIX]

Song: CLOSER

TAKIS ANDREW RAYEL
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Last verified:

NLF712201579 is the International Standard Recording Code (ISRC) for the recording "CLOSER (FEAT. ZAGATA) [CHUKIESS & WHACKBOI REMIX]" by TAKIS ANDREW RAYEL. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANDREI RATA, PETER KYLE TAKIS, NICHOLAS HENRIQUES, and others.

Format

NLCountry
F71Registrant
22Year (2022)
01579Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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Songwriter profiles

NICHOLAS HENRIQUESIPI

People also ask

What is the ISRC for "CLOSER (FEAT. ZAGATA) [CHUKIESS & WHACKBOI REMIX]" by TAKIS ANDREW RAYEL?
The ISRC for "CLOSER (FEAT. ZAGATA) [CHUKIESS & WHACKBOI REMIX]" by TAKIS ANDREW RAYEL is NLF712201579.
Who wrote "CLOSER (FEAT. ZAGATA) [CHUKIESS & WHACKBOI REMIX]"?
"CLOSER (FEAT. ZAGATA) [CHUKIESS & WHACKBOI REMIX]" was written by ANDREI RATA, PETER KYLE TAKIS, NICHOLAS HENRIQUES, JESSE PROTEAU.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLF712201579?

NLF712201579 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "CLOSER (FEAT. ZAGATA) [CHUKIESS & WHACKBOI REMIX]" by TAKIS ANDREW RAYEL. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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