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ISRC

NLF712406583

Don't Look Back (ASOT 1182)

Song: DON'T LOOK BACK

Morgin MadisonHilyteKayrae
unmatchedNot yet matched in the MLC database
Released 2024-07-18

Last verified:

NLF712406583 is the International Standard Recording Code (ISRC) for the recording "Don't Look Back (ASOT 1182)" by Morgin Madison, Hilyte, Kayrae, released 2024-07-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GREGORY SCOTT JR CASEY, JACOB LOEWENBERG, RAHUL PATEL, and others.

Format

NLCountry
F71Registrant
24Year (2024)
06583Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDon't Look Back (ASOT 1182)
IPIGREGORY SCOTT JR CASEY

People also ask

What is the ISRC for "Don't Look Back (ASOT 1182)" by Morgin Madison?
The ISRC for "Don't Look Back (ASOT 1182)" by Morgin Madison, Hilyte, Kayrae is NLF712406583.
Who wrote "Don't Look Back (ASOT 1182)"?
"Don't Look Back (ASOT 1182)" was written by GREGORY SCOTT JR CASEY, JACOB LOEWENBERG, RAHUL PATEL, DARRELL PEART, AMANDA RAE HOH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLF712406583?

NLF712406583 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Don't Look Back (ASOT 1182)" by Morgin Madison, Hilyte, Kayrae. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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