ISRC
Symphony no. 8 in E‐flat major “Symphony of a Thousand”, Pt. 1: VIII. Gloria sit Patri Domino
Song: Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor)
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NLG762500807 is the International Standard Recording Code (ISRC) for the recording “Symphony no. 8 in E‐flat major “Symphony of a Thousand”, Pt. 1: VIII. Gloria sit Patri Domino” by Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Chœur de l'Orchestre de Paris, Laurens Symfonisch, Nationaal Kinderkoor, Nationaal Jongenskoor, Royal Concertgebouw Orchestra, Klaus Mäkelä. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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NLG762500807 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Symphony no. 8 in E‐flat major “Symphony of a Thousand”, Pt. 1: VIII. Gloria sit Patri Domino” by Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Chœur de l'Orchestre de Paris, Laurens Symfonisch, Nationaal Kinderkoor, Nationaal Jongenskoor, Royal Concertgebouw Orchestra, Klaus Mäkelä. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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NLG762500807 is the International Standard Recording Code (ISRC) for the recording “Symphony no. 8 in E‐flat major “Symphony of a Thousand”, Pt. 1: VIII. Gloria sit Patri Domino” by Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Chœur de l'Orchestre de Paris, Laurens Symfonisch, Nationaal Kinderkoor, Nationaal Jongenskoor, Royal Concertgebouw Orchestra, Klaus Mäkelä. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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