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ISRC

NLHR51474270

MY HALLELUJAH SONG (ORIGINALLY PERFORMED BY JULIANNE HOUGH)

Song: MY HALLELUJAH SONG

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NLHR51474270 is the International Standard Recording Code (ISRC) for the recording “MY HALLELUJAH SONG (ORIGINALLY PERFORMED BY JULIANNE HOUGH)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CRAIG MICHAEL WISEMAN, STEVEN MCEWAN.

Format

NLCountry
HR5Registrant
14Year (2014)
74270Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMY HALLELUJAH SONG (ORIGINALLY PERFORMED BY JULIANNE HOUGH)
IPICRAIG MICHAEL WISEMAN

Related

Songwriter profiles

CRAIG MICHAEL WISEMANIPISTEVEN MCEWANIPI

People also ask

What is the ISRC for "MY HALLELUJAH SONG (ORIGINALLY PERFORMED BY JULIANNE HOUGH)"?
The ISRC for "MY HALLELUJAH SONG (ORIGINALLY PERFORMED BY JULIANNE HOUGH)" is NLHR51474270.
Who wrote "MY HALLELUJAH SONG (ORIGINALLY PERFORMED BY JULIANNE HOUGH)"?
"MY HALLELUJAH SONG (ORIGINALLY PERFORMED BY JULIANNE HOUGH)" was written by CRAIG MICHAEL WISEMAN, STEVEN MCEWAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLHR51474270?

NLHR51474270 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “MY HALLELUJAH SONG (ORIGINALLY PERFORMED BY JULIANNE HOUGH)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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