ISRC

NLHR51474579

OH LOVE (ORIGINALLY PERFORMED BY BRAD PAISLEY & CARRIE UNDERWOOD)

Song: OH LOVE

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NLHR51474579 is the International Standard Recording Code (ISRC) for the recording “OH LOVE (ORIGINALLY PERFORMED BY BRAD PAISLEY & CARRIE UNDERWOOD). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by AIMEE MAYO, HILLARY LEE LINDSEY, GORDON FRANCIS SAMPSON.

Format

NLCountry
HR5Registrant
14Year (2014)
74579Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCOH LOVE (ORIGINALLY PERFORMED BY BRAD PAISLEY & CARRIE UNDERWOOD)

People also ask

What is the ISRC for "OH LOVE (ORIGINALLY PERFORMED BY BRAD PAISLEY & CARRIE UNDERWOOD)"?
The ISRC for "OH LOVE (ORIGINALLY PERFORMED BY BRAD PAISLEY & CARRIE UNDERWOOD)" is NLHR51474579.
Who wrote "OH LOVE (ORIGINALLY PERFORMED BY BRAD PAISLEY & CARRIE UNDERWOOD)"?
"OH LOVE (ORIGINALLY PERFORMED BY BRAD PAISLEY & CARRIE UNDERWOOD)" was written by AIMEE MAYO, HILLARY LEE LINDSEY, GORDON FRANCIS SAMPSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLHR51474579?

NLHR51474579 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “OH LOVE (ORIGINALLY PERFORMED BY BRAD PAISLEY & CARRIE UNDERWOOD). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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