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ISRC

NLHR51485075

THE BOSS (ORIGINALLY PERFORMED BY DIANA ROSS) [KARAOKE VERSION]

Song: THE BOSS

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NLHR51485075 is the International Standard Recording Code (ISRC) for the recording “THE BOSS (ORIGINALLY PERFORMED BY DIANA ROSS) [KARAOKE VERSION]”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NICKOLAS ASHFORD, VALERIE SIMPSON.

Format

NLCountry
HR5Registrant
14Year (2014)
85075Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHE BOSS (ORIGINALLY PERFORMED BY DIANA ROSS) [KARAOKE VERSION]
IPINICKOLAS ASHFORD

Related

Songwriter profiles

NICKOLAS ASHFORDIPIVALERIE SIMPSONIPI

People also ask

What is the ISRC for "THE BOSS (ORIGINALLY PERFORMED BY DIANA ROSS) [KARAOKE VERSION]"?
The ISRC for "THE BOSS (ORIGINALLY PERFORMED BY DIANA ROSS) [KARAOKE VERSION]" is NLHR51485075.
Who wrote "THE BOSS (ORIGINALLY PERFORMED BY DIANA ROSS) [KARAOKE VERSION]"?
"THE BOSS (ORIGINALLY PERFORMED BY DIANA ROSS) [KARAOKE VERSION]" was written by NICKOLAS ASHFORD, VALERIE SIMPSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLHR51485075?

NLHR51485075 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “THE BOSS (ORIGINALLY PERFORMED BY DIANA ROSS) [KARAOKE VERSION]”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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