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ISRC

NLHR51497587

SPIRITS IN THE MATERIAL WORLD (ORIGINALLY PERFORMED BY THE POLICE)

Song: SPIRITS IN THE MATERIAL WORLD

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NLHR51497587 is the International Standard Recording Code (ISRC) for the recording “SPIRITS IN THE MATERIAL WORLD (ORIGINALLY PERFORMED BY THE POLICE)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GORDON MATTHEW SUMNER.

Format

NLCountry
HR5Registrant
14Year (2014)
97587Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSPIRITS IN THE MATERIAL WORLD (ORIGINALLY PERFORMED BY THE POLICE)
IPIGORDON MATTHEW SUMNER

Related

Songwriter profiles

GORDON MATTHEW SUMNERIPI

People also ask

What is the ISRC for "SPIRITS IN THE MATERIAL WORLD (ORIGINALLY PERFORMED BY THE POLICE)"?
The ISRC for "SPIRITS IN THE MATERIAL WORLD (ORIGINALLY PERFORMED BY THE POLICE)" is NLHR51497587.
Who wrote "SPIRITS IN THE MATERIAL WORLD (ORIGINALLY PERFORMED BY THE POLICE)"?
"SPIRITS IN THE MATERIAL WORLD (ORIGINALLY PERFORMED BY THE POLICE)" was written by GORDON MATTHEW SUMNER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLHR51497587?

NLHR51497587 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SPIRITS IN THE MATERIAL WORLD (ORIGINALLY PERFORMED BY THE POLICE)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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