Der Schauspieldirektor, K. 486: IV. Wie, Herr Frank? album cover

ISRC

NLN580575987

Der Schauspieldirektor, K. 486: IV. Wie, Herr Frank?

Song: Der Schauspieldirektor, K. 486

Daniela ZieglerDieter LaserGünther KaufmannMathieu Carrière
Released 2005-10-25

Last verified:

NLN580575987 is the International Standard Recording Code (ISRC) for the recording "Der Schauspieldirektor, K. 486: IV. Wie, Herr Frank?" by Daniela Ziegler, Dieter Laser, Günther Kaufmann, Mathieu Carrière, released 2005-10-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
N58Registrant
05Year (2005)
75987Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Der Schauspieldirektor, K. 486: IV. Wie, Herr Frank?" by Daniela Ziegler?
The ISRC for "Der Schauspieldirektor, K. 486: IV. Wie, Herr Frank?" by Daniela Ziegler, Dieter Laser, Günther Kaufmann, Mathieu Carrière is NLN580575987.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLN580575987?

NLN580575987 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Der Schauspieldirektor, K. 486: IV. Wie, Herr Frank?" by Daniela Ziegler, Dieter Laser, Günther Kaufmann, Mathieu Carrière. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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