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Liebesliederwalzer op. 52 Nr. 11. C minor: Nein, es ist nicht auszukommen album cover

ISRC

NLQ662169834

Liebesliederwalzer op. 52 Nr. 11. C minor: Nein, es ist nicht auszukommen

Song: Liebeslieder-Walzer, op. 52: Nr. 11. Nein, es ist nicht auszukommen

Veerle PeetersJan Vermeulen
Released 2021-04-04

Last verified:

NLQ662169834 is the International Standard Recording Code (ISRC) for the recording "Liebesliederwalzer op. 52 Nr. 11. C minor: Nein, es ist nicht auszukommen" by Veerle Peeters, Jan Vermeulen, released 2021-04-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
Q66Registrant
21Year (2021)
69834Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Liebesliederwalzer op. 52 Nr. 11. C minor: Nein, es ist nicht auszukommen" by Veerle Peeters?
The ISRC for "Liebesliederwalzer op. 52 Nr. 11. C minor: Nein, es ist nicht auszukommen" by Veerle Peeters, Jan Vermeulen is NLQ662169834.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLQ662169834?

NLQ662169834 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Liebesliederwalzer op. 52 Nr. 11. C minor: Nein, es ist nicht auszukommen" by Veerle Peeters, Jan Vermeulen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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