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HOPE - FARUK SABANCI RADIO EDIT album cover

ISRC

NLQ881500051

HOPE - FARUK SABANCI RADIO EDIT

Song: HOPE

ARTYFARUK SABANCI
unmatchedNot yet matched in the MLC database
Released 2010-07-05

Last verified:

NLQ881500051 is the International Standard Recording Code (ISRC) for the recording “HOPE - FARUK SABANCI RADIO EDIT” by ARTY, FARUK SABANCI, released 2010-07-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ARTEM EDUARDOVICH STOLYAROV.

Format

NLCountry
Q88Registrant
15Year (2015)
00051Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHOPE - FARUK SABANCI RADIO EDIT
IPIARTEM EDUARDOVICH STOLYAROV

Related

Songwriter profiles

ARTEM EDUARDOVICH STOLYAROVIPI

People also ask

What is the ISRC for "HOPE - FARUK SABANCI RADIO EDIT" by ARTY?
The ISRC for "HOPE - FARUK SABANCI RADIO EDIT" by ARTY, FARUK SABANCI is NLQ881500051.
Who wrote "HOPE - FARUK SABANCI RADIO EDIT"?
"HOPE - FARUK SABANCI RADIO EDIT" was written by ARTEM EDUARDOVICH STOLYAROV.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLQ881500051?

NLQ881500051 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “HOPE - FARUK SABANCI RADIO EDIT” by ARTY, FARUK SABANCI. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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