50 nachten album cover

ISRC

NLS242400172

50 nachten2

Song: 50 NACHTEN

EskoBilal Wahib
matched
Released 2024-06-28

Last verified:

NLS242400172 is the International Standard Recording Code (ISRC) for the recording “50 nachten by Esko, Bilal Wahib, released 2024-06-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by THIJS VAN EGMOND.

Format

NLCountry
S24Registrant
24Year (2024)
00172Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

THIJS VAN EGMONDComposer
CLOUD 9 HOLLAND MUSIC PUBLISHING OriginalPublisher0.00%IPI: 00466551142
DOWNTOWN DLJ SONGS LLC SubPublisher37.50%IPI: 00647171538

Who publishes this song?

CLOUD 9 HOLLAND MUSIC PUBLISHINGOriginalPublisher
IPI: 00466551142
DOWNTOWN DLJ SONGS LLCSubPublisher
IPI: 00647171538
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "50 nachten" by Esko?
The ISRC for "50 nachten" by Esko, Bilal Wahib is NLS242400172.
Who wrote "50 nachten"?
"50 nachten" was written by THIJS VAN EGMOND.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLS242400172?

NLS242400172 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “50 nachten by Esko, Bilal Wahib. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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