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Il primo libro di capricci: Capriccio XI con obligo di cantar la quinta parte album cover

ISRC

NLY330902869

Il primo libro di capricci: Capriccio XI con obligo di cantar la quinta parte

Song: Capriccio XI obligo di cantare la quinta parte, F 4.11

Roberto LoreggianSilvia Frigato
Released 2011-01-01

Last verified:

NLY330902869 is the International Standard Recording Code (ISRC) for the recording “Il primo libro di capricci: Capriccio XI con obligo di cantar la quinta parte” by Roberto Loreggian, Silvia Frigato, released 2011-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
Y33Registrant
09Year (2009)
02869Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Il primo libro di capricci: Capriccio XI con obligo di cantar la quinta parte" by Roberto Loreggian?
The ISRC for "Il primo libro di capricci: Capriccio XI con obligo di cantar la quinta parte" by Roberto Loreggian, Silvia Frigato is NLY330902869.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLY330902869?

NLY330902869 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Il primo libro di capricci: Capriccio XI con obligo di cantar la quinta parte” by Roberto Loreggian, Silvia Frigato. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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