Concerto in a-Moll nach Antonio Vivaldi, op. 3 no. 8, BWV 593: II. Recitative: Adagio album cover

ISRC

NLY331601124

Concerto in a-Moll nach Antonio Vivaldi, op. 3 no. 8, BWV 593: II. Recitative: Adagio

Song: Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: II. Adagio senza pedale à due Clav.

Stefano Molardi
Released 2014-08-01

Last verified:

NLY331601124 is the International Standard Recording Code (ISRC) for the recording “Concerto in a-Moll nach Antonio Vivaldi, op. 3 no. 8, BWV 593: II. Recitative: Adagio by Stefano Molardi, released 2014-08-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
Y33Registrant
16Year (2016)
01124Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concerto in a-Moll nach Antonio Vivaldi, op. 3 no. 8, BWV 593: II. Recitative: Adagio" by Stefano Molardi?
The ISRC for "Concerto in a-Moll nach Antonio Vivaldi, op. 3 no. 8, BWV 593: II. Recitative: Adagio" by Stefano Molardi is NLY331601124.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLY331601124?

NLY331601124 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Concerto in a-Moll nach Antonio Vivaldi, op. 3 no. 8, BWV 593: II. Recitative: Adagio by Stefano Molardi. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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