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ISRC

NLY332000792

Fantasie und Fuge über den Choral “Ad nos, ad salutarem undam”, S. 259: Allegro Deciso – Fuge

Song: Fantasie und Fuge über den Choral Ad nos, ad salutarem undam, S. 259: III. Fugue

Adriano Falcioni
Released 2020-11-27

Last verified:

NLY332000792 is the International Standard Recording Code (ISRC) for the recording "Fantasie und Fuge über den Choral “Ad nos, ad salutarem undam”, S. 259: Allegro Deciso – Fuge" by Adriano Falcioni, released 2020-11-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
Y33Registrant
20Year (2020)
00792Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Fantasie und Fuge über den Choral “Ad nos, ad salutarem undam”, S. 259: Allegro Deciso – Fuge" by Adriano Falcioni?
The ISRC for "Fantasie und Fuge über den Choral “Ad nos, ad salutarem undam”, S. 259: Allegro Deciso – Fuge" by Adriano Falcioni is NLY332000792.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLY332000792?

NLY332000792 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Fantasie und Fuge über den Choral “Ad nos, ad salutarem undam”, S. 259: Allegro Deciso – Fuge" by Adriano Falcioni. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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