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Sonata no. 3 in B major, op. 28, CrawD 120: II. Rondo. Allegretto moderato molto album cover

ISRC

NLY332201984

Sonata no. 3 in B major, op. 28, CrawD 120: II. Rondo. Allegretto moderato molto

Song: Sonata in B major, C. 120: II. Rondo. Allegretto moderato

Julia HuberMiriam Altmann
Released 2023-02-01

Last verified:

NLY332201984 is the International Standard Recording Code (ISRC) for the recording “Sonata no. 3 in B major, op. 28, CrawD 120: II. Rondo. Allegretto moderato molto” by Julia Huber, Miriam Altmann, released 2023-02-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
Y33Registrant
22Year (2022)
01984Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Sonata no. 3 in B major, op. 28, CrawD 120: II. Rondo. Allegretto moderato molto" by Julia Huber?
The ISRC for "Sonata no. 3 in B major, op. 28, CrawD 120: II. Rondo. Allegretto moderato molto" by Julia Huber, Miriam Altmann is NLY332201984.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLY332201984?

NLY332201984 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Sonata no. 3 in B major, op. 28, CrawD 120: II. Rondo. Allegretto moderato molto” by Julia Huber, Miriam Altmann. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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