Cantabile in D, MS 109 album cover

ISRC

NLY332300424

Cantabile in D, MS 109

Song: Cantabile for Violin and Guitar or Piano in D major, op. 17, MS 109

Gabriele PieranunziSalvatore LombardoLoana StratulatLuca ImprotaPierluigi SanaricaAlessandro Mariani
Released 2023-09-26

Last verified:

NLY332300424 is the International Standard Recording Code (ISRC) for the recording “Cantabile in D, MS 109 by Gabriele Pieranunzi, Salvatore Lombardo, Loana Stratulat, Luca Improta, Pierluigi Sanarica, Alessandro Mariani, released 2023-09-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
Y33Registrant
23Year (2023)
00424Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Cantabile in D, MS 109" by Gabriele Pieranunzi?
The ISRC for "Cantabile in D, MS 109" by Gabriele Pieranunzi, Salvatore Lombardo, Loana Stratulat, Luca Improta, Pierluigi Sanarica, Alessandro Mariani is NLY332300424.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLY332300424?

NLY332300424 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Cantabile in D, MS 109 by Gabriele Pieranunzi, Salvatore Lombardo, Loana Stratulat, Luca Improta, Pierluigi Sanarica, Alessandro Mariani. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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