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Coro e rondò “Pensa alla Patria” nell’opera L’Italiana in Algeri di Rossini, op. 8 album cover

ISRC

NLY332302022

Coro e rondò “Pensa alla Patria” nell’opera L’Italiana in Algeri di Rossini, op. 8

Song: Coro e rondo "Pensa alla patria" from Rossini's "L'italiana in Algeri", op. 8

Giulio Tampalini
Released 2024-10-28

Last verified:

NLY332302022 is the International Standard Recording Code (ISRC) for the recording “Coro e rondò “Pensa alla Patria” nell’opera L’Italiana in Algeri di Rossini, op. 8” by Giulio Tampalini, released 2024-10-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
Y33Registrant
23Year (2023)
02022Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Coro e rondò “Pensa alla Patria” nell’opera L’Italiana in Algeri di Rossini, op. 8" by Giulio Tampalini?
The ISRC for "Coro e rondò “Pensa alla Patria” nell’opera L’Italiana in Algeri di Rossini, op. 8" by Giulio Tampalini is NLY332302022.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLY332302022?

NLY332302022 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Coro e rondò “Pensa alla Patria” nell’opera L’Italiana in Algeri di Rossini, op. 8” by Giulio Tampalini. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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