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Pare Ko album cover

ISRC

PHS111800007

Pare Ko2

Song: PARE KO

Eraserheads
unmatchedNot yet matched in the MLC database
Released 1993-07-01

Last verified:

PHS111800007 is the International Standard Recording Code (ISRC) for the recording “Pare Ko” by Eraserheads, released 1993-07-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BUENDIA ELY ELEANDRE.

Format

PHCountry
S11Registrant
18Year (2018)
00007Designation
Country:
ISO 3166-1 alpha-2 country code (PH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BUENDIA ELY ELEANDREComposer
MUSIC R US PUBLISHING OriginalPublisher0.00%IPI: 00473684225
PEERMUSIC III LTD SubPublisher100.00%IPI: 00183126677

Who publishes this song?

MUSIC R US PUBLISHINGOriginalPublisher
IPI: 00473684225
PEERMUSIC III LTDSubPublisher
IPI: 00183126677

Credits Graph

MLC Song Code

PA4774
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Pare Ko" by Eraserheads?
The ISRC for "Pare Ko" by Eraserheads is PHS111800007.
Who wrote "Pare Ko"?
"Pare Ko" was written by BUENDIA ELY ELEANDRE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC PHS111800007?

PHS111800007 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Pare Ko” by Eraserheads. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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