Beneath the Rose album cover

ISRC

QM3T42300003

Beneath the Rose2

Song: BENEATH THE ROSE

Baroness
matched
Released 2023-09-15

Last verified:

QM3T42300003 is the International Standard Recording Code (ISRC) for the recording “Beneath the Rose by Baroness, released 2023-09-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NICHOLAS CAMERON JOST, JOHN DYER BAIZLEY JR, REGINA MARIE GLEASON, and others.

Format

QMCountry
3T4Registrant
23Year (2023)
00003Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

NICHOLAS CAMERON JOSTComposerLyricist
JOHN DYER BAIZLEY JRComposerLyricist
REGINA MARIE GLEASONComposerLyricist
SEBASTIAN MARTIN THOMSONComposerLyricist

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Beneath the Rose" by Baroness?
The ISRC for "Beneath the Rose" by Baroness is QM3T42300003.
Who wrote "Beneath the Rose"?
"Beneath the Rose" was written by NICHOLAS CAMERON JOST, JOHN DYER BAIZLEY JR, REGINA MARIE GLEASON, SEBASTIAN MARTIN THOMSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM3T42300003?

QM3T42300003 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Beneath the Rose by Baroness. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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