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ISRC

QM4DW1791361

THE CRACK UP

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QM4DW1791361 is the International Standard Recording Code (ISRC) for the recording “THE CRACK UP”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANDREAS GRAHAM MCELLIGOTT, DAVID CLIFFORD ROBERTS.

Format

QMCountry
4DWRegistrant
17Year (2017)
91361Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ANDREAS GRAHAM MCELLIGOTTComposerLyricist
DIMENSION GATE MUSIC OriginalPublisher0.00%IPI: 00192722658
COHEN AND COHEN RightsAdministrator100.00%IPI: 00258983900
DAVID CLIFFORD ROBERTSComposerLyricist
DIMENSION GATE MUSIC OriginalPublisher0.00%IPI: 00192722658
COHEN AND COHEN RightsAdministrator100.00%IPI: 00258983900

Who publishes this song?

DIMENSION GATE MUSICOriginalPublisher
IPI: 00192722658
COHEN AND COHENRightsAdministrator
IPI: 00258983900
SourcesMLCMusicBrainz2 sources

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People also ask

What is the ISRC for "THE CRACK UP"?
The ISRC for "THE CRACK UP" is QM4DW1791361.
Who wrote "THE CRACK UP"?
"THE CRACK UP" was written by ANDREAS GRAHAM MCELLIGOTT, DAVID CLIFFORD ROBERTS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM4DW1791361?

QM4DW1791361 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “THE CRACK UP”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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