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ISRC

QM4TX1661529

TERE JAISA AUR KOI NAA

Song: TERE JAISA AUR KOI NA

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QM4TX1661529 is the International Standard Recording Code (ISRC) for the recording “TERE JAISA AUR KOI NAA”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KISHORE KAPOOR, VINOD SHARMA.

Format

QMCountry
4TXRegistrant
16Year (2016)
61529Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

KISHORE KAPOORComposerLyricist
TIPS INDUSTRIES LTD OriginalPublisher0.00%IPI: 00254248273
SONY/ATV TUNES LLC OriginalPublisher100.00%IPI: 00338164558
VINOD SHARMAComposer
TIPS INDUSTRIES LTD OriginalPublisher0.00%IPI: 00254248273
SONY/ATV TUNES LLC OriginalPublisher100.00%IPI: 00338164558

Who publishes this song?

TIPS INDUSTRIES LTDOriginalPublisher
IPI: 00254248273
SONY/ATV TUNES LLCOriginalPublisher
IPI: 00338164558

MLC Song Code

TE4KMW
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People also ask

What is the ISRC for "TERE JAISA AUR KOI NAA"?
The ISRC for "TERE JAISA AUR KOI NAA" is QM4TX1661529.
Who wrote "TERE JAISA AUR KOI NAA"?
"TERE JAISA AUR KOI NAA" was written by KISHORE KAPOOR, VINOD SHARMA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM4TX1661529?

QM4TX1661529 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “TERE JAISA AUR KOI NAA”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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