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ISRC

QM4TX1849247

Concerto for Violin and Orchestra no. 1 in A minor, BWV 1041: II. Andante

Song: Violin Concerto in A minor, BWV 1041: II. Andante

Leonid KoganMoscow Philharmonic OrchestraKirill Kondrashin
Released 2018-05-01

Last verified:

QM4TX1849247 is the International Standard Recording Code (ISRC) for the recording "Concerto for Violin and Orchestra no. 1 in A minor, BWV 1041: II. Andante" by Leonid Kogan, Moscow Philharmonic Orchestra, Kirill Kondrashin, released 2018-05-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QMCountry
4TXRegistrant
18Year (2018)
49247Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concerto for Violin and Orchestra no. 1 in A minor, BWV 1041: II. Andante" by Leonid Kogan?
The ISRC for "Concerto for Violin and Orchestra no. 1 in A minor, BWV 1041: II. Andante" by Leonid Kogan, Moscow Philharmonic Orchestra, Kirill Kondrashin is QM4TX1849247.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM4TX1849247?

QM4TX1849247 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto for Violin and Orchestra no. 1 in A minor, BWV 1041: II. Andante" by Leonid Kogan, Moscow Philharmonic Orchestra, Kirill Kondrashin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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