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I'll Get by (as Long as I Have You) - Rerecorded album cover

ISRC

QM4TX1849786

I'll Get by (as Long as I Have You) - Rerecorded2

Song: BALLAD MEDLEY: ALL THE THINGS YOU ARE / DEARLY BELOVED / THE NEARNESS OF YOU / I'LL GET BY (AS LONG AS I HAVE YOU) / EVERYTHING HAPPENS TO ME / THE MAN I LOVE / WHAT'S NEW

The Ink Spots
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QM4TX1849786 is the International Standard Recording Code (ISRC) for the recording “I'll Get by (as Long as I Have You) - Rerecorded” by The Ink Spots. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FRED AHLERT, ROY TURK.

Format

QMCountry
4TXRegistrant
18Year (2018)
49786Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "I'll Get by (as Long as I Have You) - Rerecorded" by The Ink Spots?
The ISRC for "I'll Get by (as Long as I Have You) - Rerecorded" by The Ink Spots is QM4TX1849786.
Who wrote "I'll Get by (as Long as I Have You) - Rerecorded"?
"I'll Get by (as Long as I Have You) - Rerecorded" was written by FRED AHLERT, ROY TURK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM4TX1849786?

QM4TX1849786 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I'll Get by (as Long as I Have You) - Rerecorded” by The Ink Spots. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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