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Where Would I Be? album cover

ISRC

QM4TX2206176

Where Would I Be?2

Song: WHERE WOULD I BE

TriblMaverick City MusicDante BoweRyan OfeiBrandon Lake
matched
Released 2022-04-28

Last verified:

QM4TX2206176 is the International Standard Recording Code (ISRC) for the recording “Where Would I Be?” by Tribl, Maverick City Music, Dante Bowe, Ryan Ofei, Brandon Lake, released 2022-04-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DEMOND REED, AARON MOSES, GRACE MEAGHER, and others.

Format

QMCountry
4TXRegistrant
22Year (2022)
06176Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWhere Would I Be?
IPIDEMOND REED

People also ask

What is the ISRC for "Where Would I Be?" by Tribl?
The ISRC for "Where Would I Be?" by Tribl, Maverick City Music, Dante Bowe, Ryan Ofei, Brandon Lake is QM4TX2206176.
Who wrote "Where Would I Be?"?
"Where Would I Be?" was written by DEMOND REED, AARON MOSES, GRACE MEAGHER, MICHAEL BRANDON LAKE, DANTE LAMAR BOWE, RYAN OFEI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM4TX2206176?

QM4TX2206176 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Where Would I Be?” by Tribl, Maverick City Music, Dante Bowe, Ryan Ofei, Brandon Lake. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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