ISRC

QM6MZ1434900

GOODY TWO SHOES (ORIGINALLY PERFORMED BY ADAM AND THE ANTS) [BACKING TRACK]

Song: GOODY TWO SHOES

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QM6MZ1434900 is the International Standard Recording Code (ISRC) for the recording “GOODY TWO SHOES (ORIGINALLY PERFORMED BY ADAM AND THE ANTS) [BACKING TRACK]. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MARCO PIRRONI, ADAM ANT.

Format

QMCountry
6MZRegistrant
14Year (2014)
34900Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCGOODY TWO SHOES (ORIGINALLY PERFORMED BY ADAM AND THE ANTS) [BACKING TRACK]

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People also ask

What is the ISRC for "GOODY TWO SHOES (ORIGINALLY PERFORMED BY ADAM AND THE ANTS) [BACKING TRACK]"?
The ISRC for "GOODY TWO SHOES (ORIGINALLY PERFORMED BY ADAM AND THE ANTS) [BACKING TRACK]" is QM6MZ1434900.
Who wrote "GOODY TWO SHOES (ORIGINALLY PERFORMED BY ADAM AND THE ANTS) [BACKING TRACK]"?
"GOODY TWO SHOES (ORIGINALLY PERFORMED BY ADAM AND THE ANTS) [BACKING TRACK]" was written by MARCO PIRRONI, ADAM ANT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM6MZ1434900?

QM6MZ1434900 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “GOODY TWO SHOES (ORIGINALLY PERFORMED BY ADAM AND THE ANTS) [BACKING TRACK]. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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