No Snakes Alive album cover

ISRC

QM6MZ1487222

No Snakes Alive

Song: NO SNAKES ALIVE

King GeedorahJet JaguarRodan
unmatchedNot yet matched in the MLC database
Released 2000-11-28

Last verified:

QM6MZ1487222 is the International Standard Recording Code (ISRC) for the recording "No Snakes Alive" by King Geedorah, Jet Jaguar, Rodan, released 2000-11-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DANIEL THOMPSON.

Format

QMCountry
6MZRegistrant
14Year (2014)
87222Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DANIEL THOMPSONComposer
JUST ISN'T MUSIC OriginalPublisherIPI: 00160248788

Who publishes this song?

JUST ISN'T MUSICOriginalPublisher
IPI: 00160248788

MLC Song Code

SourcesMusicBrainzMLCCommunity3 sources

Verified on

People also ask

What is the ISRC for "No Snakes Alive" by King Geedorah?
The ISRC for "No Snakes Alive" by King Geedorah, Jet Jaguar, Rodan is QM6MZ1487222.
Who wrote "No Snakes Alive"?
"No Snakes Alive" was written by DANIEL THOMPSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM6MZ1487222?

QM6MZ1487222 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "No Snakes Alive" by King Geedorah, Jet Jaguar, Rodan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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