SONATA FOR VIOLIN AND PIANO (1949): ANDANTE APPASSIONATA album cover

ISRC

QM6N21545273

SONATA FOR VIOLIN AND PIANO (1949): ANDANTE APPASSIONATA

Song: SONATA FOR VIOLIN AND PIANO

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QM6N21545273 is the International Standard Recording Code (ISRC) for the recording "SONATA FOR VIOLIN AND PIANO (1949): ANDANTE APPASSIONATA". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by STEFAN WOLPE.

Format

QMCountry
6N2Registrant
15Year (2015)
45273Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSONATA FOR VIOLIN AND PIANO (1949): ANDANTE APPASSIONATA

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People also ask

What is the ISRC for "SONATA FOR VIOLIN AND PIANO (1949): ANDANTE APPASSIONATA"?
The ISRC for "SONATA FOR VIOLIN AND PIANO (1949): ANDANTE APPASSIONATA" is QM6N21545273.
Who wrote "SONATA FOR VIOLIN AND PIANO (1949): ANDANTE APPASSIONATA"?
"SONATA FOR VIOLIN AND PIANO (1949): ANDANTE APPASSIONATA" was written by STEFAN WOLPE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM6N21545273?

QM6N21545273 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "SONATA FOR VIOLIN AND PIANO (1949): ANDANTE APPASSIONATA". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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