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St George the Martyr album cover

ISRC

QM6P42542586

St George the Martyr

Song: ST GEORGE THE MARTYR

Bladee
unmatchedNot yet matched in the MLC database
Released 2025-04-28

Last verified:

QM6P42542586 is the International Standard Recording Code (ISRC) for the recording "St George the Martyr" by Bladee, released 2025-04-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LUIS CANO, BENJAMIN REICHWALD, GABRIEL ELLIS SCHUMAN, and others.

Format

QMCountry
6P4Registrant
25Year (2025)
42586Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSt George the Martyr
IPILUIS CANO

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Songwriter profiles

LUIS CANOIPIBENJAMIN REICHWALDIPIGABRIEL ELLIS SCHUMANIPISIMON AXEL HESSMANIPI

People also ask

What is the ISRC for "St George the Martyr" by Bladee?
The ISRC for "St George the Martyr" by Bladee is QM6P42542586.
Who wrote "St George the Martyr"?
"St George the Martyr" was written by LUIS CANO, BENJAMIN REICHWALD, GABRIEL ELLIS SCHUMAN, NICHOLAS FACEY, SIMON AXEL HESSMAN, EMIR TIMUR TOKDEMIR, 30NICKK 30NICKK, LUIS CANO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM6P42542586?

QM6P42542586 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "St George the Martyr" by Bladee. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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