SOMETHING TO BELIEVE IN album cover

ISRC

QM99V1513903

SOMETHING TO BELIEVE IN

AUDIOTREE GREAT GOOD FINE OKGREAT GOOD FINE OKGREAT GOOD FINE OK AND AUDIOTREE
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QM99V1513903 is the International Standard Recording Code (ISRC) for the recording "SOMETHING TO BELIEVE IN" by AUDIOTREE GREAT GOOD FINE OK, GREAT GOOD FINE OK, GREAT GOOD FINE OK AND AUDIOTREE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LUKE A MOELLMAN, JONATHAN MAX SANDLER.

Format

QMCountry
99VRegistrant
15Year (2015)
13903Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSOMETHING TO BELIEVE IN

People also ask

What is the ISRC for "SOMETHING TO BELIEVE IN" by AUDIOTREE GREAT GOOD FINE OK?
The ISRC for "SOMETHING TO BELIEVE IN" by AUDIOTREE GREAT GOOD FINE OK, GREAT GOOD FINE OK, GREAT GOOD FINE OK AND AUDIOTREE is QM99V1513903.
Who wrote "SOMETHING TO BELIEVE IN"?
"SOMETHING TO BELIEVE IN" was written by LUKE A MOELLMAN, JONATHAN MAX SANDLER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM99V1513903?

QM99V1513903 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "SOMETHING TO BELIEVE IN" by AUDIOTREE GREAT GOOD FINE OK, GREAT GOOD FINE OK, GREAT GOOD FINE OK AND AUDIOTREE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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