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Levitate (Audiotree live version) album cover

ISRC

QM99V2505002

Levitate (Audiotree live version)

Song: LEVITATE

Bleed From Within
matched
Released 2026-01-21

Last verified:

QM99V2505002 is the International Standard Recording Code (ISRC) for the recording "Levitate (Audiotree live version)" by Bleed From Within, released 2026-01-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by STEVEN JONES, ALASTAIR RICHARDSON, DAVID WATSON PROVAN, and others.

Format

QMCountry
99VRegistrant
25Year (2025)
05002Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLevitate (Audiotree live version)
IPISTEVEN JONES

People also ask

What is the ISRC for "Levitate (Audiotree live version)" by Bleed From Within?
The ISRC for "Levitate (Audiotree live version)" by Bleed From Within is QM99V2505002.
Who wrote "Levitate (Audiotree live version)"?
"Levitate (Audiotree live version)" was written by STEVEN JONES, ALASTAIR RICHARDSON, DAVID WATSON PROVAN, SCOTT KENNEDY, CRAIG JOHN GOWANS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM99V2505002?

QM99V2505002 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Levitate (Audiotree live version)" by Bleed From Within. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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