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Don’t Keep Me Waiting album cover

ISRC

QM9K31200293

Don’t Keep Me Waiting2

Song: DON'T KEEP ME WAITTING (FEAT MARSHA AMBROSIUS)

The Midnight HourMarsha Ambrosius
matched
Released 2018-06-08

Last verified:

QM9K31200293 is the International Standard Recording Code (ISRC) for the recording “Don’t Keep Me Waiting” by The Midnight Hour, Marsha Ambrosius, released 2018-06-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ADRIAN GODFREY YOUNGE, ALI SHAHEED JONES-MUHAMMAD, MARSHA ANGELIQUE AMBROSIUS.

Format

QMCountry
9K3Registrant
12Year (2012)
00293Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDon’t Keep Me Waiting
IPIADRIAN GODFREY YOUNGE

People also ask

What is the ISRC for "Don’t Keep Me Waiting" by The Midnight Hour?
The ISRC for "Don’t Keep Me Waiting" by The Midnight Hour, Marsha Ambrosius is QM9K31200293.
Who wrote "Don’t Keep Me Waiting"?
"Don’t Keep Me Waiting" was written by ADRIAN GODFREY YOUNGE, ALI SHAHEED JONES-MUHAMMAD, MARSHA ANGELIQUE AMBROSIUS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM9K31200293?

QM9K31200293 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Don’t Keep Me Waiting” by The Midnight Hour, Marsha Ambrosius. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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