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Bitches Do Voodoo (instrumental) album cover

ISRC

QM9K31200310

Bitches Do Voodoo (instrumental)2

Song: BITCHES DO VOODOO (FEAT ANGELA MUNOZ)

The Midnight Hour
matched
Released 2018-06-08

Last verified:

QM9K31200310 is the International Standard Recording Code (ISRC) for the recording “Bitches Do Voodoo (instrumental)” by The Midnight Hour, released 2018-06-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ADRIAN GODFREY YOUNGE, ALI SHAHEED JONES-MUHAMMAD, ANGELA MUNOZ.

Format

QMCountry
9K3Registrant
12Year (2012)
00310Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBitches Do Voodoo (instrumental)
IPIADRIAN GODFREY YOUNGE

People also ask

What is the ISRC for "Bitches Do Voodoo (instrumental)" by The Midnight Hour?
The ISRC for "Bitches Do Voodoo (instrumental)" by The Midnight Hour is QM9K31200310.
Who wrote "Bitches Do Voodoo (instrumental)"?
"Bitches Do Voodoo (instrumental)" was written by ADRIAN GODFREY YOUNGE, ALI SHAHEED JONES-MUHAMMAD, ANGELA MUNOZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM9K31200310?

QM9K31200310 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Bitches Do Voodoo (instrumental)” by The Midnight Hour. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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