Wood and Nails (live) album cover

ISRC

QMAAK1773711

Wood and Nails (live)2

Song: WOOD AND NAILS

Josh GarrelsAudrey Assad
unmatchedNot yet matched in the MLC database

Last verified:

QMAAK1773711 is the International Standard Recording Code (ISRC) for the recording "Wood and Nails (live)" by Josh Garrels, Audrey Assad. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QMCountry
AAKRegistrant
17Year (2017)
73711Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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MLC Song Code

SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Wood and Nails (live)" by Josh Garrels?
The ISRC for "Wood and Nails (live)" by Josh Garrels, Audrey Assad is QMAAK1773711.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMAAK1773711?

QMAAK1773711 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Wood and Nails (live)" by Josh Garrels, Audrey Assad. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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