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Send Me to the ’Lectric Chair album cover

ISRC

QMBZ91367435

Send Me to the ’Lectric Chair2

Song: SEND ME TO THE 'LECTRIC CHAIR

Haley
matched
Released 2014-09-28

Last verified:

QMBZ91367435 is the International Standard Recording Code (ISRC) for the recording “Send Me to the ’Lectric Chair” by Haley, released 2014-09-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GEORGE BROOKS.

Format

QMCountry
BZ9Registrant
13Year (2013)
67435Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

GEORGE BROOKSComposerLyricist
EMI MILLS MUSIC INC OriginalPublisherIPI: 00020877491

Who publishes this song?

EMI MILLS MUSIC INCOriginalPublisher
IPI: 00020877491

MLC Song Code

S13592
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Send Me to the ’Lectric Chair" by Haley?
The ISRC for "Send Me to the ’Lectric Chair" by Haley is QMBZ91367435.
Who wrote "Send Me to the ’Lectric Chair"?
"Send Me to the ’Lectric Chair" was written by GEORGE BROOKS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMBZ91367435?

QMBZ91367435 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Send Me to the ’Lectric Chair” by Haley. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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