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ISRC

QMBZ92286239

X, The Life and Times of Malcolm X: Act II, Scene 3, “If we are going to be free”

Thulani DavisBoston Modern Orchestra ProjectDavóne TinesGil Rose
Released 2022-09-01

Last verified:

QMBZ92286239 is the International Standard Recording Code (ISRC) for the recording "X, The Life and Times of Malcolm X: Act II, Scene 3, “If we are going to be free”" by Thulani Davis, Boston Modern Orchestra Project, Davóne Tines, Gil Rose, released 2022-09-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QMCountry
BZ9Registrant
22Year (2022)
86239Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "X, The Life and Times of Malcolm X: Act II, Scene 3, “If we are going to be free”" by Thulani Davis?
The ISRC for "X, The Life and Times of Malcolm X: Act II, Scene 3, “If we are going to be free”" by Thulani Davis, Boston Modern Orchestra Project, Davóne Tines, Gil Rose is QMBZ92286239.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMBZ92286239?

QMBZ92286239 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "X, The Life and Times of Malcolm X: Act II, Scene 3, “If we are going to be free”" by Thulani Davis, Boston Modern Orchestra Project, Davóne Tines, Gil Rose. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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