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ISRC

QMDA71345743

LOVE ON THE ROCKS (IN THE STYLE OF NEIL DIAMOND) [KARAOKE VERSION]

Song: LOVE ON THE ROCKS

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QMDA71345743 is the International Standard Recording Code (ISRC) for the recording “LOVE ON THE ROCKS (IN THE STYLE OF NEIL DIAMOND) [KARAOKE VERSION]”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CHUCK CANNON, RONNIE SAMOSET.

Format

QMCountry
DA7Registrant
13Year (2013)
45743Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLOVE ON THE ROCKS (IN THE STYLE OF NEIL DIAMOND) [KARAOKE VERSION]
IPICHUCK CANNON

Related

Songwriter profiles

CHUCK CANNONIPI

People also ask

What is the ISRC for "LOVE ON THE ROCKS (IN THE STYLE OF NEIL DIAMOND) [KARAOKE VERSION]"?
The ISRC for "LOVE ON THE ROCKS (IN THE STYLE OF NEIL DIAMOND) [KARAOKE VERSION]" is QMDA71345743.
Who wrote "LOVE ON THE ROCKS (IN THE STYLE OF NEIL DIAMOND) [KARAOKE VERSION]"?
"LOVE ON THE ROCKS (IN THE STYLE OF NEIL DIAMOND) [KARAOKE VERSION]" was written by CHUCK CANNON, RONNIE SAMOSET.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMDA71345743?

QMDA71345743 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “LOVE ON THE ROCKS (IN THE STYLE OF NEIL DIAMOND) [KARAOKE VERSION]”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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